HISTORY:Duncan C. Weldon

1995-1997

duncan weldon

1995

Festival Theatre:

Hadrian VII – Peter Luke (based on Hadrian the Seventh & other works by Frederick Rolfe)

Hobson’s Choice – Harold Brighouse

The School for Scandal – Richard Brinsley Sherridan

The Miser – Molière (version by Ranjit Bolt)

The Visit – Friedrich Dürrenmatt (version by Maurice Valeney)

Minerva:

Taking Sides – Ronald Harwood

A Word from Our Sponsor – Alan Ayckbourn

Playing the Wife – Ronald Hayman

The Hothouse – Harold Pinter

Monsiuer Amilcar – Yves Jamiaque (version by George Gonneau & Norman Rose)

1996

Festival Theatre:

Love for Love – William Congreve

Mansfield Park – Jane Austen (version by Willis Hall)

Beethoven’s Tenth – Peter Ustinov

When We Are Married – J B Priestley

Fortune’s Fool – Ivan Turgenev (version by Mike Poulton)

Lock Up Your Daughters – version by Bernard Miles from Henry Fielding’s comedy (music by Laurie Johnson, lyrics by Lionel Hart)

Minerva:

Simply Disconnected – Simon Gray

Talking Heads – Alan Bennett

Uncle Vanya – Anton Chekhov (version by Mike Poulton)

Hedda Gabler – Henrik Ibsen (version by Helen Cooper)

Beatrix – Patrick Garland & Judy Taylor

The Handyman – Ronald Harwood

It Could Be Any One of Us – Alan Ayckbourn

Educating Rita – Willy Russell

Oleanna – David Mamet

Whom Do I Have the Honour of Addressing? – Peter Shaffer

1997

Festival Theatre:

The Admirable Crichton – J M Barrie

Lady Windermere’s Fan – Oscar Wilde

Blithe Spirit – Noël Coward

Divorce Me, Darling! – Sandy Wilson

Our Betters – W Somerset Maughm

The Magistrate – Arthur Wing Pinero

Minerva:

After October – Rodney Ackland

Nocturne for Lovers – Bruno Villian (version by Gavin Lambert)

Tallulah! – Sandra Ryan Heyward

Suzanna Adler – Marguerite Duras (version by Barbara Bray)

Misalliance – George Bernard Shaw

Electra – Sophocles (version by Frank McGuinness)