1995
Festival Theatre:
Hadrian VII – Peter Luke (based on Hadrian the Seventh & other works by Frederick Rolfe)
Hobson’s Choice – Harold Brighouse
The School for Scandal – Richard Brinsley Sherridan
The Miser – Molière (version by Ranjit Bolt)
The Visit – Friedrich Dürrenmatt (version by Maurice Valeney)
Minerva:
Taking Sides – Ronald Harwood
A Word from Our Sponsor – Alan Ayckbourn
Playing the Wife – Ronald Hayman
The Hothouse – Harold Pinter
Monsiuer Amilcar – Yves Jamiaque (version by George Gonneau & Norman Rose)
1996
Festival Theatre:
Love for Love – William Congreve
Mansfield Park – Jane Austen (version by Willis Hall)
Beethoven’s Tenth – Peter Ustinov
When We Are Married – J B Priestley
Fortune’s Fool – Ivan Turgenev (version by Mike Poulton)
Lock Up Your Daughters – version by Bernard Miles from Henry Fielding’s comedy (music by Laurie Johnson, lyrics by Lionel Hart)
Minerva:
Simply Disconnected – Simon Gray
Talking Heads – Alan Bennett
Uncle Vanya – Anton Chekhov (version by Mike Poulton)
Hedda Gabler – Henrik Ibsen (version by Helen Cooper)
Beatrix – Patrick Garland & Judy Taylor
The Handyman – Ronald Harwood
It Could Be Any One of Us – Alan Ayckbourn
Educating Rita – Willy Russell
Oleanna – David Mamet
Whom Do I Have the Honour of Addressing? – Peter Shaffer
1997
Festival Theatre:
The Admirable Crichton – J M Barrie
Lady Windermere’s Fan – Oscar Wilde
Blithe Spirit – Noël Coward
Divorce Me, Darling! – Sandy Wilson
Our Betters – W Somerset Maughm
The Magistrate – Arthur Wing Pinero
Minerva:
After October – Rodney Ackland
Nocturne for Lovers – Bruno Villian (version by Gavin Lambert)
Tallulah! – Sandra Ryan Heyward
Suzanna Adler – Marguerite Duras (version by Barbara Bray)
Misalliance – George Bernard Shaw
Electra – Sophocles (version by Frank McGuinness)