In January 2015, we were contacted by the National Theatre who were in the process of putting together an exhibition all about the architecture of the NT building on London’s South Bank. Some of our archive digitisation work had caught their eye and enquiries were made about using some of this work in their exhibition.
The exhibition Concrete Realityopened in May 2015 in the Wolfson Gallery at the National, taking into account the initial idea, beginning stages and follow-through of the building project that is now home to the biggest theatrical producing house in the UK. Sir Laurence Olivier, Chichester Festival Theatre’s first Artistic Director was also appointed Artistic Director of the National Theatre in the same year CFT opened in 1962; as well as this direct connection, CFT, amongst other regional theatres at the time, was used as a reference point throughout the design process. Continue reading “Concrete Reality – sharing stories with the National Theatre”→
For ninety seconds, in July 1991, the Olivier stage of the National Theatre, London, was mine. All mine. I remember the deafening silence. In that split second before my solo speech, it felt like an eon. I looked straight at the spotlights at the back of the auditorium and I remember the glare that thankfully masked the sea of faces in front of me. I could barely take it all in! How did I end up here…?
It all began with Anthea Dobry’s arrival as Youth Theatre director in November 1990. Anthea had come in after a year’s interregnum when Clare Rankin left in 1989; directors were coming and going so there was no real cohesive leadership and numbers of attendees at workshops had begun to dwindle. Anthea acted quickly to remedy this. Sometime earlier, the Youth Theatre had entered the National Youth Theatre challenge (now NT Connections) with a piece they had devised themselves called Happy Families, in 1989 at the National Theatre. They were one of the lucky entrants to be invited to perform this at the National at the end of the project. Anthea said we were to enter again.
Introduction: A few weeks ago Youth Theatre Intern, Kate Hunter, wrote about the process of creating Youth Theatre performances inspired by items from the Theatre Archives. Last week we had the privilege of watching the 36 Youth Theatre groups performing what they had come up with over this past term. The varied interpretations and responses to the heritage material were fantastic and the creativity of all the groups was really impressive. As part of this project the Youth Theatre members conducted research into the item they were inspired by, below is the research and explanation for one of these performances, written by Alice Banfield from one of the year 11 Youth Theatre groups.
Rachel Bingham, Heritage Activities Trainee:
For our stimulus our group were given a series of newspaper cuttings from 1965 relating to Laurence Olivier and announcing the splitting of both Chichester Festival Theatre and the National Theatre Companies. This happened when John Clements took over the position of Artistic Director at Chichester, ending the direct association of Chichester with the National Theatre and forming an independent company. Prior to this Olivier was Artistic Director to both Chichester Festival Theatre and The National Theatre. It was at Chichester that he formed the company that would unite with the Old Vic to create the National Theatre Company. Continue reading “Our Archive Inspired Performance”→