Concrete is the single most widely used material in the world and was fundamental to the construction of the Festival Theatre. To explore and share the significance of this material to the Theatre, we ran our very own concrete- making workshop earlier this year.
Prior to starting as the first Heritage Trainee of Pass It On earlier this year, I had never really thought all that much about concrete. I was vaguely aware of concrete constructions nearby; indeed the infamous Tricorn Centre loomed large as a landmark of days out in Portsmouth until its demolition in 2004. Nevertheless, voted by Radio 4 listeners as the most hated building in Britain and described by Prince Charles as “a mildewed lump of elephant droppings”, this didn’t do much to raise my awareness or appreciation of concrete as a building material.
I share a long history with Chichester Festival Theatre (CFT). I was part of the Chichester Festival Youth Theatre (CFYT) for 10 years and we performed numerous productions during this time. I acted, sang, danced and played in the band. I took part in carnivals, concerts, street performance and took part in creative workshops about performance poetry, set design and circus skills.
So it felt natural that, after my English Degree, I would gravitate back towards the Theatre. I joined the Young Playwrights Programme and then the Advanced course at CFT which was run in partnership with New Writing South. The course was brilliant, inspiring and covered a wide range of topics. We explored writing dialogue, characters, plots, genres as well as having theatre visits, discussions and visiting writers talk to us. One of my pieces, Occupied (2012), was performed in the Theatre on the Fly, whilst my other short plays, The Knock (2011) and First Visit (2010), were performed in The Minerva Theatre. Continue reading “Writing Pass It On!”→
As a Youth Theatre Leader at Chichester Festival Youth Theatre, my challenge this term is to encourage a group of 14 and 15 year olds to create some interesting pieces of theatre using historical stimuli – not as easy as it sounds, but certainly a lot of fun!
I run sessions for two Year 10 groups and have chosen two stimuli from the archives: correspondence regarding a charity cricket match between Chichester Festival Theatre and the RSC in 1986 and letters containing information for young people participating in a professional production of Jane Eyre in the same year.
I began by thinking of exercises that would allow Youth Theatre members to create performances based on this particular material. Cricket is an especially difficult topic with which to inspire teenage girls (and some boys). Introductory sessions included creating freeze frames to represent different stages of a cricket match, flowing between each one and moving to the sounds of Soul Limbo – a classic cricket theme. Following this, the freeze frames were combined to create whole group images of a cricket match thinking predominantly about clear body positioning and facial expressions.
This year as part of the annual Chichester Festival Theatre Heritage Open Day, members of the public had the opportunity to go on hard hat tours of the current renovation works on the Theatre. This was a rare chance for people to see inside the incredible architecture of the Festival Theatre. Additionally it was also a chance to see the work being done to enhance the Theatres iconic and prominent hexagon shape, around which my art workshop, also part of this year’s Heritage Open Day, was based.
Being a fine art graduate from Chichester University and having run workshops within social care, this opportunity was perfect for me, combining two areas of interest and work.
As Chichester Festival Theatre has been tucked away behind hoardings undergoing its intense period of restoration and improvement, we at Pass It On have been charged with providing the public with as much access to, and information about, what’s going on back there as possible. To this end, over the course of this summer we ran a short series of lunch time tours around the hoardings with RENEW Project Architect, Lucy Picardo.
On three sunny afternoons between July and September, 15 lucky people spent 45 minutes with Lucy talking them through the works taking place, catching glimpses of various aspects of the project through the windows in the hoardings before ending up on first floor level platform overlooking the site.