It does not seem very long ago that I was writing about looking forward to beginning rehearsals for Out of the Archive, and yet here we are already on the other side of the Scratch performance!
The auditions were well attended by a mixture of current and previous youth theatre members, as well as other 16-25 year olds in the local area who have never attended a group at CFT before. It was a strong group of performers who we had to whittle down to a cast of just seven, based on the types of characters we had to fill.
We then entered into an intensive rehearsal process over two weeks. Playing two characters in two of three very different plays is no easy task, but this is what we have asked of the majority of our actors. We began by blocking through each of the plays very simply – to get the shape of it and a feel for the changes in pace. Through this process we were able to pick out the key pieces of set, costume and props that we would need and used temporary found objects to represent them (including a seagull created from a large toy mouse and a rabbit ears headband, it’s amazing what you can find in a rehearsal room).
The Pass It On project is reaching a really exciting stage. Several of our different project strands, such as the Archiving and Oral History are slowly coming together, providing us with a range of different material that when combined, create a bigger picture, revealing the hidden histories of Chichester Festival Theatre (perfectly timed for Festival 2014’s ‘Hidden Histories’ Season). Each archive document, each recorded interview, each photograph and written account are like individual jigsaw pieces of a puzzle that has no definitive final image. The rest of this blog post outlines the ways in which some of these pieces are coming together, with snippets from an exclusive interview with current Stevie cast member, Chris Larkin.
We recently took our trained Memory Collectors to a Youth Theatre reunion (featured in the Chichester Observer). Many of the alumni’s stories surrounded the temporary studio space known as The Tent. When I first started working on the project, I had never heard of The Tent – it seemed a mythical creation that only a select few really knew about. Tracking down any information about it proved difficult, and even harder was just trying to find a picture of it.
The wonderful thing about my job is that I get to see all these individual jigsaw pieces the project creates, and start to build them as a whole. I’m pleased to say that for me, The Tent is no longer a mysterious black hole in the history of Chichester Festival Theatre – far from it. Our ever-growing archive (listed by dedicated volunteers) has provided a resource that can be used extensively by other members of the community. Through this, one of our volunteers, Amelia Mlynowska, has been able to undertake a research project for our website, using the archive to draw up individual summaries of the history of The Tent and its gradual transition into the Minerva.