Listen to Its All In The Telling, our thought-provoking panel discussion with writer and oral historian Rib Davis, writer of Taken at Midnight Mark Hayhurst and Kate Wheeler from the Archiving the Arts initiative with the National Archives, all chaired by author Kate Mosse.
Why do some stories fall out of history? What makes them so fascinating to theatre makers and audiences? In 2014 Pass It On brought together a panel from the worlds of theatre, heritage and oral history to explore these themes. Inspired by the little known true stories behind some of Chichester Festival Theatres 2014 productions Pressure, Pitcairn and Taken at Midnight.
It does not seem very long ago that I was writing about looking forward to beginning rehearsals for Out of the Archive, and yet here we are already on the other side of the Scratch performance!
The auditions were well attended by a mixture of current and previous youth theatre members, as well as other 16-25 year olds in the local area who have never attended a group at CFT before. It was a strong group of performers who we had to whittle down to a cast of just seven, based on the types of characters we had to fill.
We then entered into an intensive rehearsal process over two weeks. Playing two characters in two of three very different plays is no easy task, but this is what we have asked of the majority of our actors. We began by blocking through each of the plays very simply – to get the shape of it and a feel for the changes in pace. Through this process we were able to pick out the key pieces of set, costume and props that we would need and used temporary found objects to represent them (including a seagull created from a large toy mouse and a rabbit ears headband, it’s amazing what you can find in a rehearsal room).
Earlier this year I attended a conference called Artists in the Archive; thinking about the possibilities of artistic responses and interpretations to archival material. This is something Pass It On is really interested in exploring further and it was fantastic to see some really exciting examples of this from across the country.
The archives of Chichester Festival Theatre are rich with stories of the past 50 years; the triumphs and challenges of its theatrical life. The overarching narrative is one of overcoming great difficulties and achieving the impossible, indeed the founder; Leslie Evershed-Martin’s two books about the Theatre are called “The Impossible Theatre” and “The Miracle Theatre”. It’s an inspiring story of what creativity and vision can achieve and one that certainly does, and hopefully will continue to, inspire others for years to come. Continue reading “Artists in the Archive”→