One of our favourite things about the Pass It On project is working with a team of volunteers who all have a myriad of different skills; one of our volunteers, Janet Green, tells us how she became involved with the project and how she has brought her talents in photography to the project:
It all started for me when Chichester Festival Theatre had an Open Day on a Sunday in September 2014. I had taken my visiting Australian relatives to see Guys and Dolls a few days before. We were all enchanted by our theatrical experience, and I was so proud to share Chichester Festival Theatre with them. To go back stage a few days’ later on the Open Day totally captured my imagination. I have a particular interest in photography so of course I had a camera with me and having sought permission captured a few amazing shots jostling with the crowds enjoying this wonderful opportunity. The way props were arranged backstage really fascinated me. The experience made me more aware of the people behind production who make it happen and the processes involved.
In 1986 Chichester Festival Theatre celebrated its 25th Festival season. To mark this anniversary and celebrate the city of Chichester, a production was put together telling some of the famous and infamous stories of the city. The play took its audience on a physical journey through the streets of Chichester lead by its narrator James Spershott, a joiner and diarist who lived his whole life in the area during the 18th century.
The Spershott Version was written to mark the 25th anniversary season by a handful of local authors and personalities including Joan Aiken, Rosemary Sutcliffe and former CFT artistic director Patrick Garland. The promenade piece featured stories on John Keates and William Blake and their appearances in Chichester, as well as a scene on Mary Bedell a Cicistarian wrongly accused of stealing linen from her mistress and punished with transportation.